Don Davis (composer)
Don Davis | |
|---|---|
 Davis in 2017 | |
| Background information | |
| Birth name | Donald Romain Davis |
| Born | February 4, 1957 Anaheim, California, U.S. |
| Genres | |
| Occupations |
|
| Years active | 1979–present |
| Labels | Varèse Sarabande
La-La Land Records Albany Records |
| Website | www |
Donald Romain Davis (born February 4, 1957) is an American composer, conductor, and orchestrator known for his film and television scores. He has also composed opera, concert and chamber music. He has collaborated with well-known directors including the Wachowskis, Ronny Yu, and Joe Johnston in genres ranging from horror, to action, to comedy.
His most notable compositions were scores for Beauty and the Beast (1988), My Life and Times (1991), Lies Before Kisses (1991), A Little Piece of Heaven (1992) and seaQuest 2032 (1995), A Goofy Movie (1995), Bound (1996), House of Frankenstein (1998), Universal Soldier: The Return (1999), House on Haunted Hill (1999), and Behind Enemy Lines (2001), and most notably Jurassic Park III (2001), The Matrix (1999), The Matrix Reloaded (2003), The Animatrix (2003) and The Matrix Revolutions (2003).
Davis has been nominated for seven Primetime Emmy Awards, winning in 1995 for Outstanding Music Composition for a Series. He has also won four BMI Film Music Awards.
Early life and education
[edit]Davis was born on 4 February 1957 in Anaheim, California.[1] He began playing trumpet and piano at the age of nine,[2] and started writing music at twelve. As his affinity for music grew, so did his aspirations, and soon he was composing and arranging orchestral charts for local jazz ensembles that he also performed with.[2]
After graduating from high school, Davis enrolled at UCLA. He continued his study of musical composition with tutor Henri Lazarof. Additionally, he learned orchestration from Albert Harris.[3]
Career
[edit]During their orchestration lessons, Harris introduced Davis to the TV composer Joe Harnell, who supported Davis during his search for work—his first job was working for composer Mark Snow's TV show Hart to Hart. He has worked as an orchestrator and conductor for Michael Kamen, Alan Silvestri, James Horner, and Randy Newman.[4]
Davis has nominated seven times at the Primetime Emmy Awards, winning in 1995.[5] He received a nomination for the Primetime Emmy Award for Outstanding Music Composition for a Series for Beauty and the Beast (1988),[5] and for My Life and Times (1991).[5] He received a nomination for Primetime Emmy Award for Outstanding Music Composition for a Limited or Anthology Series, Movie or Special (Original Dramatic Score) for Lies Before Kisses (1991),[5] and A Little Piece of Heaven (1992), and House of Frankenstein (1998).[5] He was twice nominated for the Primetime Emmy Award for Outstanding Music Composition for a Series in 1994 and 1995 for scores in SeaQuest DSV, winning in 1995.[5]
He wrote scores mostly for television series up until 1995,[2] in which he wrote a few of the cues for the animated Disney motion picture A Goofy Movie (1995).[1] He continued to score television series until the two then young directors, the Wachowskis, hired him to score their neo-noir film Bound (1996).[1] Davis has composed scores for films such as Universal Soldier: The Return (1999),[1] Jurassic Park III (2001) (as recommended to the filmmakers by John Williams, the composer of the scores for the first two films in the series), House on Haunted Hill (1999),[1] and Behind Enemy Lines (2001).[1]
In 2004, he produced the music score for the BBC science fiction documentary series Space Odyssey: Voyage to the Planets, released as Voyage to the Planets and Beyond in the United States. Davis' magnum opus is the Matrix franchise: The Matrix (1999),[1] The Matrix Reloaded (2003),[1] The Matrix Revolutions (2003),[1] and The Animatrix (2003).[1] It was set apart from other film scores of its time for its atonality and avant garde style of composition, with influences from polytonal minimalist works by John Adams and cluster-like as well as aleatoric techniques prominent in the works of composer Witold Lutosławski.[1][2]
In addition to orchestrating and conducting his own scores, Don Davis has done orchestration work for many other composers. He was the conductor for the movie Flowers in the Attic, whose score was composed by Christopher Young, and for the TV documentary Eagles: Hell Freezes Over. He arranged music for The 86th Academy Awards as well. He is also regular orchestrator for Randy Newman.[2]
Don Davis' political opera, Río de Sangre, premiered at the Florentine Opera Company on October 22, 2010. Excerpts of the opera had previously been performed in Los Angeles with the Los Angeles Master Chorale on November 6, 2005, and the New York City Opera on May 13, 2007.[2]
Personal life
[edit]Davis currently splits his time between Southern California and British Columbia, Canada. He has been married to Megan MacDonald since 1986, and they have two children together.[2]
Filmography
[edit]Film
[edit]Orchestration work
[edit]Television
[edit]| Year | Title | Notes |
|---|---|---|
| 1983 | Square Pegs | 2 episodes |
| 1983–84 | Hart to Hart | 4 episodes |
| 1986 | Kay O'Brien | Episode: “Wreck the Halls” |
| 1987 | Sledge Hammer! | 2 episodes |
| 1987–90 | Beauty and the Beast | 48 episodes |
| 1990 | Matlock | Episode: “The Personal Trainer” |
| 1991 | My Life and Times | Episode: “The Collapse of '98” |
| 1990–91 | Tiny Toon Adventures | 5 episodes |
| 1992 | The Plucky Duck Show | Episode: "A Ditch in Time" |
| 1993 | Star Trek: The Next Generation | Episode: "Face of the Enemy" |
| 1992–95 | Capitol Critters | 8 episodes |
| 1993–94 | Taz-Mania | 4 episodes |
| 1994–95 | SeaQuest 2032 | 13 episodes |
| 1995 | CBS Schoolbreak Special | Episode: "Between Mother and Daughter" |
Television films and limited series
[edit]Other works
[edit]- Chronym I for flute (1977)
- Trio for violin, viola & cello (1978)
- 12 Poems For Jonathan David Wolf for soprano & piano (1978)
- Chamber Concerto (1978)
- Timbral Spectra (1979)
- Chamber Variations (1979)
- Chronym II (1980)
- Chamber Symphony (1981)
- Chronym III (1981)
- Symphony (1982)
- Bleeding Particles (1983)
- Harsh (1988)
- Bleak (1989)
- The Eye And The Pyramid (1990)
- Going On (1991)
- Green Light (1992)
- What Is The Silence (1993)
- Afterimages (1994)
- Of The Illuminated (1995)
- Flurry (1996)
- No Exit (1996)
- The Enchanted Place Suite (1997)
- Pain (1998)
- Illicit Felicity (1999) - Excerpt from “Bound” score
- Critical Mass (2000)
- Wandering (2002)
- A Lunatic Air (On Fire) (2002)
- Río de Sangre (2005) - Opera in three acts
References
[edit]- ^ a b c d e f g h i j k "Don Davis". rottentomatoes.com. Retrieved 26 October 2024.
- ^ a b c d e f g "Don Davis | Yamaha Artists". www.yamaha.com. Retrieved 2024-06-16.
- ^ McCandless, Greg; McIntyre, Daniel (2017). The Craft of Contemporary Commercial Music. Routledge. ISBN 978-1-317-39686-4. Retrieved January 29, 2020.
- ^ "Don Davis - film composer". www.mfiles.co.uk. Retrieved 2024-06-16.
- ^ a b c d e f "Don Davis Emmys Awards & Nominations". emmys.com. Television Academy. Retrieved 26 October 2024.
External links
[edit]
- 1957 births
- 20th-century American composers
- 20th-century American conductors (music)
- 20th-century American LGBTQ people
- 21st-century American composers
- 21st-century American conductors (music)
- 21st-century American LGBTQ people
- Albany Records artists
- American contemporary classical composers
- American film score composers
- American LGBTQ composers
- American male conductors (music)
- American male film score composers
- American male opera composers
- American male television composers
- American opera composers
- American television composers
- Classical musicians from California
- Concert band composers
- La-La Land Records artists
- LGBTQ classical composers
- LGBTQ film score composers
- Living people
- Musicians from Anaheim, California
- University of California, Los Angeles alumni
- Varèse Sarabande Records artists